Mickey Fisher was an unknown writer from Ironton, Ohio when his contest-winning TV script EXTANT caught the attention of Steven Spielberg and later became the science fiction series on CBS starring Halle Berry. Mickey has since firmly implanted himself in the world of science fiction television, creating the NBC series REVERIE and National Geographic’s MARS. He has also served as a consulting producer on Amazon’s JACK RYAN and a writer and co-executive producer on Guillermo Del Toro’s acclaimed FX horror series THE STRAIN. Full Bio »
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Netflix and Stage 32 have partnered on an exclusive global education series in an effort to democratize the worldwide entertainment industry. Together, over the course of 5 webcasts Stage 32's world class educators will bring their knowledge of what it takes to write, develop and produce today's television for the Stage 32 and Netflix creator community. These global webcasts have been seen by hundreds of thousands of creatives worldwide with a 100% satisfaction rate!
In our fourth webinar in this exclusive "Creating Television Content for a Global Marketplace" series, we are going to give you the ins and outs on how you can effectively write science fiction scripts for streaming television.
Do you have a great sci-fi idea that deserves to be seen?
Television is exploding right now with sci-fi shows that infiltrate our minds like Dark, Squid Game, Yellow Jackets and Stranger Things. Writers with fantastical minds are drawing us into some of the most creative worlds we have ever seen right now, as well as producing some of the most memorable characters. Great shows like Game of Thrones, Extant and Reverie paved the way for the hits we see today and streaming platforms are looking for the next great sci-fi scripts to bring to the world.
In order to tap into this incredible sci-fi landscape you have to be armed with the tools to write a solid pilot and be able to sustain your idea for multiple seasons. It takes a refined approach to understand the nuances of science fiction writing. Stage 32 and Netflix are going to give you the tools to make sure your script is in top shape.
To guide you on your way is producer and writer Mickey Fisher. Mickey broke out onto the scene when his contest-winning TV script Extant caught the attention of Steven Spielberg and later became the science fiction series on CBS starring Halle Berry. Mickey has since firmly implanted himself in the world of science fiction television, creating the NBC series Reverie and National Geographic’s Mars. He has also served as a consulting producer on Amazon’s Jack Ryan and a writer and co-executive producer on Guillermo Del Toro’s acclaimed FX horror series The Strain.
In an exciting FREE webcast Mickey will go into more detail on choosing a sci-fi series concept, core elements of your sci-fi series, planning character journeys, your pilot, season one and beyond, thinking international and believing in your project for the marketplace.
To see the full webinar overview, see below. Some of the case studies Mickey is going to go over in the webinar are:
Note: You will receive the Zoom link to login by the morning of the webinar.
If you are not yet a member of the Stage 32 community, we encourage you to join the community today at www.stage32.com, it is FREE! You will instantly connect with over 800,000 creatives and professionals in the entertainment industry from all over the world who use Stage 32 to network, find work, learn and develop their projects. YOU MUST HAVE A STAGE 32 PROFILE TO WATCH YOUR VIDEO.
Case Studies: EXTANT, REVERIE, STRANGER THINGS, DARK, GAME OF THRONES, SQUID GAME, MONEY HEIST (not sci-fi but there are some relevant points), YELLOW JACKETS, THE MANDALORIAN, PEACEMAKER
1) Choosing a Sci-Fi Series Concept
2) Core Elements of Your Sci-Fi Series
3) “On the Axis” - Planning Character Journeys (pilot, season, series)
4) The Pilot
5) Season One and Beyond
6) Thinking Globally - common elements of worldwide success stories
7) Owning Every Word
8) Q&A with Mickey
Want to see the other webcasts in this exclusive Stage 32 + Netflix Creating Television Content for a Global Marketplace series?
Click here: TV Pitch Documents with Chris Mack
Click here: TV Pitch Documents with Chris Mack - Closed Caption
Click here: TV Story Structure with Anna Henry
Click here: Writing Scripts to Budget with Jeanette B. Milio
Click here: Writing Hit Sci-Fi Scripts for Streaming Television with Mickey Fisher
Click here: Writing Hit Comedy Scripts for Streaming Television with Vijal Pital
Click here: Writing Hit Drama for Streaming Television with Leila Cohan
Mickey Fisher
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The Ultimate Guide to Getting Distribution For Your Indie Feature Film Learn how you can navigate the complex world of independent feature film distribution to get your film on Netflix, Amazon, Hulu, iTunes, and more, from a producer who has worked on over 25 feature films! Are you ready to secure distribution for your independent feature film? There are more opportunities today than ever before for you to find distribution for your independent feature film. Theatrical releases are making a big comeback with companies like Apple getting into the game, streamers like Amazon, Netflix, Hulu are hungrier than ever for content and digital platforms like iTunes, GooglePlay (and more!) are all avenues to distribute your film. There are literary dozens of homes for your film in today's marketplace. So how do you choose the right distribution platform for your film, and how do you make sure that you get the best deal once you do? First, it is critical that you understand the distribution landscape immediately as you begin your film's journey, as it will allow you to make the best decisions in setting your budget, development plan, and the scope of your production. Distribution will have major implications for your shoot, so it is crucial that you don’t wait until the film is done to start looking for distribution… you need to start now! The trick to securing the best possible distribution for your film comes down to understanding the distribution process and current global film market. As a filmmaker and producer, you have control over a number of essential aspects in the dissemination of your film, from finding the right distributor for your film (much more on this) to understanding distribution contracts and what you can negotiate to protect yourself and the lifetime rights of your film. In this exclusive Stage 32 on-demand 4-Session Class, Michelle Alexandria - a producer who has worked on 25 feature films with budgets of $6MM and less - will teach you the ins and outs of today's complex distribution landscape to ensure you are in the best position possible to secure a great distribution deal for your independent film. Don't miss this chance to learn how to get distribution and the best deal for your movie! Praise for Michelle's Talent & Knowledge: “Michelle's expertise and experience has been invaluable to my work as a filmmaker! I can't recommend working with her enough.” – Stacy L. "As an indie filmmaker who has always had trouble AFTER my film was made, working with Michelle was truly helpful. Thanks, Stage 32." - Nick M. "Michelle Alexandria!! BRILLIANT! And gracious with the info...so easy to follow and understand! Truly ...thank you!" -Tina-Marie
The landscape of distribution has shifted dramatically, forcing filmmakers, producers and foreign sales agents to adapt to those changes. With the rise of streaming, there are more ways than ever to get your project out to the viewing public, whether in theaters or right in their home. More distributors are looking to acquire films to put in the marketplace, but how does the pricing look and how will that shift over time? We will examine the current distribution marketplace and how to best take advantage of the multiple avenues of distribution both domestically and internationally. While there are more places than ever to go to for distribution, there’s also more competition for your project to be noticed by distributors and, once distributed, for viewers to decide to watch your film over the other thousands at their fingertips. It can be difficult for filmmakers and producers to know what different distributors and paths of distribution are best for each project, and which deals are more likely to garner a profit. But with a working knowledge of both the domestic and the foreign distribution market, you can find the best home for your feature. Tiffany Boyle is the President of Packaging and Sales for Ramo Law. Tiffany has helped hundreds of films, TV shows and documentaries come to fruition. Tiffany served as a Co-Executive Producer and brought in financing for films SOMETHING ELSE (Tribeca 2019) and ARKANSAS starring Liam Hemsworth and Vince Vaughn. She led the sales and packaging for TRAGEDY GIRLS (SXSW 2017) and FREAKS (Toronto IFF 2018), she brought foreign financing to ASHES IN THE SNOW (Los Angeles FF 2018) starring Bel Powley, and she sold an autobiography to Hulu for development into a limited television series. Tiffany will go over different distribution avenues - theatrical, VOD, DVD, etc. and what distributors are looking for. She'll break down the difference between distributors and sales agents and what types of projects will fit their slate. You'll get a complete overview of the marketplace - both domestic and foreign and understand what it will take to get your film to the right distributor. You'll learn to harness the power of festival screenings, social media and other campaigns to put your film in the best position. You'll also learn how to make the deal in terms of territory, term, delivery, fees, rights, licensing vs. reserved and more. You'll also get insight into recoupment and profit. Praise for Tiffany's previous Stage 32 webinars: "Excellent discussion by Tiffany! It shows that she's right in the middle of the film business and understands what's happening. Refreshing not to hear the same old basic information you hear everywhere. This was detailed." - Michael H. "Excellent presentation by a clearly passionate expert. More, more, more." - Alexis D. "Very clear and helpful - so much detail!" - Sil V. "Tiffany was gracious and helpful with good energy. Plus she offered so much encouragement, practical advice and incredible energy." - Cynthia D.
The ultimate goal for every filmmaker is to ensure that audiences see your film. You may want recognition, notoriety, or maybe as many “likes” as possible however, from a practical business perspective, you also want to make your investor's money back – or, even better, to make a profit. The path to reaching this sometimes-elusive-outcome is through the distribution process. And, in today's changing distribution landscape there are many different types of offers that can be presented to you as a filmmaker. Truthfully, understanding what you're signing up for with your film's distribution can be downright confusing. Getting a distribution deal for your film is exciting for you as a filmmaker. You've reached the holy grail and a distributor is interested in releasing your film so you can finally reach an audience. But, before you sign on the dotted line there are many factors you need to think of. Distribution contracts can show varying types of clauses that could potentially harm your film's chance at making a profit. And, let's face it, if you can show your investors a profit on their investment, they'll likely want to invest in more films with you at the healm. So, how do you know what clauses to look out for and what you can negotiate so you give yourself the best chance of not only gaining an audience, but also getting pad? For the last 15 years Bryce C. Campbell is one of the leading distribution and marketing executives in the industry who's overseen the distribution of several Oscar-winning films. Bryce got his start working at Miramax Films and Open Road Films and has worked on hundreds of independent films securing distribution and negotiating contracts. He especially excels in the digital distribution arena. Bryce is heavily involved in the post production aspect of filmmaking working collaboratively with the marketing team to provide data-driven insights on a wide range of marketing components such as one-sheets, trailers, and special events. One of his key interests is negotiating distribution deals with filmmakers and leveraging industry analytics to provide insight into box office potential for each project. And, he's bringing all these years of knowledge to Stage 32. Bryce will help you understand the different types of distribution options available to you in terms of theatrical, SVOD, Day and Date, Foreign and Digital. He'll help you manage realistic expectations when considering the potential for each of these with your film. You will learn how to design your budget and casting in harmony with distribution goals. Then will take you through the anatomy a distribution contract and analyze contract clauses for optimal benefit and to avoid pitfalls. You will learn how to apply this knowledge to negotiate the best possible distribution contract for your film. And, most importantly, Bryce will give you 2 real distribution deal contracts to review so you can understand what to look for and how to apply that to your own deal! PRAISE FOR BRYCE'S TEACHINGS: "Mind blown. The examples are extremely helpful. I had no idea that recognizing some of the clever way things are written in the contract could potentially harm my chance to make money back on my film." - Mike S.
Learn how to develop and produce your hit true crime series with Zig Gauthier, a veteran TV executive who has become one of the most prolific producers in the true crime genre! Plus! You'll receive exclusive handouts from Zig to help you with your true crime series. Do you have an idea for a true crime series that would resonate with audiences across the globe? It’s no secret that there has been a proliferation of true crime content across major streamers and networks in recent years. More streamers and networks than ever before now air original true crime content, making true crime the hottest genre in America and increasingly popular internationally. Netflix, Max, Oxygen, ID/Investigation Discovery, Peacock, Hulu, Amazon Prime, Apple TV, Paramount+ and countless other distribution outlets now have jumped on board the true crime content train. And the demand for these types of series is only increasing, as audiences can’t seem to get enough of true crime content! There has never been a better time to develop and produce your true crime show. However, where do you even start to get your true crime series into production? How do you get the rights to tell the story and, once you do, how do you pick which elements of the story to focus on to create the most compelling series possible? Not to mention, how do you go about producing the series with archival footage and interviews? We’re here to help. In this exclusive Stage 32 webinar, you will learn how to develop, pitch, and produce your true crime series that will resonate with mass audiences. Guiding you through the world of true crime series is veteran television producer and development executive Zig Guathier. Zig produced such true crime series hits as KILLER SIBLING, THE REAL MURDERS OF ATLANTA, SIN CITY MURDERS, ACCIDENT, SUICIDE OR MURDER, EXECUTED WITH DEBORAH NORVILLE, EXPOSED WITH DEBORAH NORVILLE and PINK COLLAR CRIMES. He oversaw the development of Oxygen's SIN CITY MURDERS. Prior to focusing on true crime, Zig was a producer on such shows as DANCING WITH THE STARS, BIG BROTHER, TOP SHOT, AUCTION HUNTERS, GHOST HUNTERS, HOLLYWOOD MEDIUM WITH TYLER HENRY, MARRIAGE BOOT CAMP, CATCH A CONTRACTOR, TATTOO RESCUE, R&B DIVAS and more. Zig is now working with the Stage 32 community to teach you basics and secrets for success in developing and producing true crime content. You will learn everything from how to secure the IP rights to the story, how to identify the most jaw-dropping drama within your story, how to pitch your series to buyers, and how to maximize your time during production between filming content and utilizing archival footage to tell your story, and so much more. You will walk away from this webinar with the knowledge and skills to effectively develop and produce your own hit true crime series.
Private lab - only 10 spots available to work one-on-one with a top literary manager! Payment plans available - contact edu@stage32.com for details Dream of creating a hit one-hour drama like SUCCESSION or OZARK? Unsure how to start or craft a compelling pilot script? If you're aiming to join a writers' room or pitch your own series, your first step is writing a standout pilot script, especially with drama's soaring popularity in TV and streaming. Join our 8-week Stage 32 virtual screenwriting lab to transform your idea into a polished first draft. Led by David Chien, a top literary manager at Art/Work Entertainment, who has experience with clients on shows like THE WITCHER and EMPIRE, you'll receive expert guidance and industry insights to get your show idea from concept to completed script. This interactive lab includes virtual classroom sessions and one-on-one mentorship, ensuring your script is industry-ready for agents, showrunners, and producers. Best part of all? In addition to Zoom sessions, you also have access to David on email throughout the entire duration of the lab to ask any craft or career questions! And, you'll have a lounge dedicated to your class so you can stay in touch with your fellow writers in between sessions! This is your chance to work one on one with a top manager! Ready to commit to writing your drama series pilot? This lab is your gateway! ***Can't make it live? Don't worry! you will be sent the links to the recordings of each session within 48 hours of the live session and you will have direct access to David on email to ask him any questions so you can keep up at your own pace and schedule.*** Praise for David's Previous Stage 32 Teaching: "David's ability to convey and break down a story into digestible elements, and argue why certain changes need to be logically made (and utilizing rational reasoning behind his criticism) was very profound and useful." - Danny Y. "David is definitely some kind of genius at what he does. He is able to get to the plot holes and potential problematic issues of a script within seconds. All while he’s able to come up with suggestions and ideas about the how and why things aren’t working and at he same time making observations about the how, what and why might work instead. I’ve never seen anyone able to do this as quickly, or as well as, David can. It’s really quite extraordinary!" -- Sarah T. "I really enjoyed David's class. He was not another "industry professional" who just liked everything he heard and told everyone they were great. He really put us through our paces; made us ask ourselves tough questions. At the end of the course, I've got a solid outline for a unique story and a great starting place for the actual script writing- which is exactly what I hoped for." -- Christopher G.
Exclusive to Stage 32, Chris Lockhart, one of the most legendary and revered agency story editors in the business teaches loglines to the community. Chris has read over 60,000 scripts in his career for WME and has the database to prove it! A logline is the way your screenplay is introduced to the world. It’s rare that anyone will read your script without knowing something about it first. A-List Actors, producers, directors, managers, agents, financiers and development execs will often lean on hearing a logline before ever asking for or agreeing to read a screenplay. If your logline doesn't sing, the script usually doesn't get opened. Even more important, if the logline doesn't work, it's a signal to those who read screenplays for a living that the script probably doesn't either. Delving into a logline can help you identify problematic elements of a screenplay, enabling solutions to fix them. Simply put, there is no one better to help teach this subject than Chris Lockhart. As Story Editor at William Morris Endeavor (WME), the world's largest diversified talent agency, Chris has curated projects for A-list actors such as Denzel Washington, Liam Neeson, Mel Gibson, Matt Damon, Rachel McAdams, Ben Affleck, and countless others over the last 20+ years. He's accomplished this reading and exploring through piles of screenplays, magazines, books, old movies, TV shows, and pitches in search of potential film projects. If you've seen one of these actors in just about anything, chances are Chris was the first stop for the screenplay (of which he's read over 60,000), but only after he heard the logline and deemed it worth of a read! Chris began his career at International Creative Management (ICM), where he worked as script consultant to legendary talent agent Ed Limato, who represented industry giants such as Mel Gibson, Richard Gere, Michelle Pfeiffer, Liam Neeson, and Robert Downey, Jr. Chris later moved to the venerable William Morris Agency, which eventually merged with Endeavor to form WME. Chris is the Story Editor for A-list talent such as Denzel Washington, Michelle Williams, Richard Gere and more! As an educator and consultant, Chris has lectured around the world on the craft and business of screenwriting, and he has advised on countless feature films. Chris graduated from New York University's Tisch School of the Arts with an MFA in dramatic writing and was awarded the school's Public Service Prize for his dedication to public education. He is an adjunct professor at National University's Professional Screenwriting Program. He has also taught at LA Valley College and UCLA. His writing workshop The Inside Pitch was filmed for Los Angeles television, earning him an Emmy Award nomination. Chris's creative counsel has been used on hundreds of hit films Chris is a member of the Writers Guild, the Producers Guild, and the Television Academy. In a jammed packed and often hilarious webinar (trust us, Chris is a character and a half), Chris will not only teach you how to write a logline, but how to tailor it in such a way that it is appealing to talent, representation and the money. He'll break down the mechanics of a logline to determine what makes one work. He'll show you what aspects A-List actors, directors, managers, agents, producers, financiers and development execs look for in a logline that makes them want to take the next step and read your script. Chris will then take you on a broader discussion of the elements of successful screenwriting and how your logline can betray what you've written or reveal the shortcomings in your script. As a bonus, Chris will then play a recording of an interactive logline pitch shop he recently held where he broke down several loglines to show what worked and what didn't. All this followed by a fun and informative Q&A filled with even more actionable information. "Amazing seminar loved it. It was the best I have ever watched or ordered!" - Robert M. "Chris was clear, concise, helpful, and focused. Loved his enthusiasm and humor." - Lori H. "Oh my god, I was laughing all the way through. In between writing about 10 pages of notes. SO much fun and a wealth of knowledge." - Denise G.